![]() ![]() One essay here enlarges the range of our mythological considerations, adding Aphrodite and Pygmalion to the mix.Įach Critical Insights is divided into four sections:Īn Introduction – The book and the author However, Daedalus is only one of the significant mythological analogues. The relationships between Stephen Dedalus and his mythological progenitor, Daedalus, according to the Ancient Greeks the first great artist, architect and inventor of human flight, are clearly invoked in their almost identically spelled names. It plays itself out in succeeding chapters of the narrative as if they were short stories. There is an ongoing ironic distance between Stephen's developing understanding of events and what is actually happening. Joyce viewed and worked on A Portrait at different periods of his life and, as a result, apart from irony, the narrative can be read from his different perspectives at one time. Another essay explores Joyce's troubling connection between what the clergy claims to be, a brotherhood of religious purity, and the diseased sexuality, including moral turpitude. There is also a survey of the spectrum of critical evaluations, explanations and appreciations of the book, revealing a kaleidoscope of fruitful approaches to which readers now have access and to which more insights can and will be added. The review in this volume of Joyce's life helpfully places his largely autobiographical novel in the context of his life and time, powerfully enlarging our understanding of the biographical fields the story covers. Portrait replaces the standard resolutions that plots end on with powerfully realized experiences. Whatever we make of the protagonist's relationship to the author, his work attains a vastly more exact presentation of human occurrences moment by moment than exploit-centered plotting allows. Therefore Stephen Dedalus is a version of James Joyce.Stephen Dedalus is a version of the pseudonym Stephen Daedalus. ![]()
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